Donna Mitchell - Consolation No. 2

  My personal review:      We had already discussed what a Consolation is in music in a previous article , as well as the possible sources of inspiration for Franz Liszt, the first composer to use the name Consolation for one of his pieces.      Donna Mitchell's Consolation No. 2 creates a calm, poetic, meditative atmosphere.      It is a piece in two sections, each of which is divided into three subsections, plus an introduction and a coda; its slow and leisurely tempo, as well as the constant accompaniment of arpeggios, are the main characteristic of this piece.      It is worth noting that the second section, although it feels like a restatement, has certain variations (especially in the second subsection), which create some interest for the listener, which is further enlivened by the surprising coda.      Mitchell's social links:      YouTube (Channel 1)      YouTube (Chann...

Костянтин Кириченкo / Kostiantin Kirichenko - Зустріч (З циклу "Розмови Сердца") / Meetings (from the suite "Poems' Conversations of the Heart)

  My review:

    Meetings (from the suite "Poems' Conversations of the Heart) is a waltz with a moderate movement and a nostalgic character (due to its main key, A minor), in three sections.
After a brief introduction (a deployed diminished seventh chord), the first section begins, which we could divide into two subsections: the first presents the main theme, which is repeated at a high octave, and the second a secondary theme.
This complete section ends with a succession of chords that form a cadence, which, in its first turn, returns us to the beginning of that section for a repeat, and in its second turn, connects us with the second section.
This second section feels like a development of the first, with a theme taken from the previous second subsection.
We can, however, divide this second section into three subsections: one that we could consider expositional, and the second, which contrasts in terms of melody (though not in terms of rhythmic design). The third subsection is a slight variation on the first and, with a calm ending, leads us to the third section, which is a literal restatement of the first section (without repetition), although, on this occasion, the cadence leads us to an apotheotic coda taken from the head of the main theme.
As we have hinted, there is a rhythmic motif that is present throughout almost the entire work and serves as a leitmotif that reinforces the thematic unity.
    
    Костянтина Кириченка's social links:
    
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    Sheetmusic
    Biography

    Enjoy "Meetings (from the suite "Poems' Conversations of the Heart)",  performed by Carlos Marín Trigo:



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