My personal opinion:
This short prelude, in C major, of a rhythmic nature, is basically made up of an arpeggio displayed between the two hands and a melody that imitates itself by counter-movement and off-beat.
Said sound material is presented on various occasions, at different heights.
The last few bars are for a small coda, which begins in the left hand and builds to a perfect final cadence over the C major chord with an added sixth.
One of the things that most attracts my attention in this prelude are the changes in terms of sound dynamics, which change throughout the entire piece. The final crescendo builds a tension that is fully released in the last chord.
Biography of Andrea Vezzoli:
Andrea Vezzoli, at the age of 12 began studying piano with Mara Buzzoni for more than two years, after which she studied clarinet at Corte Franca (BS) where she is still principal clarinetist under the direction of Hercules and Giampietro Lanfranchini Fanchini.
His first compositions, of various styles, such as folk or jazz, are inspired by the landscapes of Franciacorta.
In 2005, he began a detailed study of composition with the composer and pianist Andrea Rosa at the Academia de Pasini Corte Franca (BS).
His versatile style, with references to Stravinsky's early music, descriptiveness and interest rates are the keys to Andrea Vezzoli's popular compositions.
Vezzoli's social links:
Enjoy his Prelude 1 performed by Carlos Marín Trigo:
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